October 7th, 2008 :: Women Who Love Us!
Women Who Love Us
A Room of Her Own Foundation is excited to announce our partnership with Hasandra Heyward. She will donate $5 per book for the first 50 books purchased through her website Poetry with Purpose. Hasandra has partnered with AROHO because she believes in the vision of our foundation and as a woman writer would like to support and bring opportunity to other women writers.
My Soul's Symphony
by Hasandra R. Heyward
"Poetry that frees the spirit, calms the emotions, and heals the heart."
"My poetry explores universal themes of forgiveness, love, friendship, the awakening of awe,
and the courage to live life authentically. The reader is invited to contemplate each piece
and its relevance of their lives."
Heyward is dedicated to giving back to the community through her writing. Her website Poetry with Purpose reveals the importance of using your work as a tool to helping those around you. Each of her writing projects is connected to a greater cause
Visit her website at http://www.poetrywithpurpose.com/home for more information about Hasandra and to purchase her book.
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poetrywithpurpose.com |
Announcing Hasandra Heyward's Book Signing and Website!
Dear friends and family,
I'm excited to announce my book signing and website (www.poetrywithpurpose.com).
I hope to attract lots of visitors (and prospective customers), so I
invite you to visit my site now to learn more about what I am doing
with my gift of writing. Currently, I have over 500 visitors a month
from places as far as Tokyo.
What: Hasandra's Book Signing
Where: Barnes and Noble, Cumberland Location
Time: 2pm to 5pm
If you are unable to come to the signing you can call Barnes and Noble
and place an order for a book or go to my website and email me and I
will sign a copy and mail to you. I hope to see you soon! Email me and
let me know you visited the site.
Best regards,
Hasandra Heyward
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September 1st, 2008 :: BOOKS!
AROHO recommendations...
Breena Clarke's Newest Book...STAND THE STORM
"I loved this book. I loved these people: The Coats family of Stand the Storm
are quasi-free Negroes living in Georgetown just before, during and
after the Civil War. Breena Clarke has written another stirring work of
historical fiction that weaves the passionate, dramatic and uplifting
story of the African American aspiration for true freedom into the
great American tapestry. - Gail Buckley, Washington Post
Read what Breena has to say about her new book!
"During my research time for STAND THE STORM - time spent "seasoning up" my imagination to create a fictional account of Civil War period, in Washington, D.C., I collected archival newspapers. Because of their
high rag content, many of the papers are in good shape and are
readable. I bring them out occasionally and look at news articles,
advertisements, and examine the paper - smelling and touching. One
paper in my collection of Frank Leslie's ILLUSTRATED WEEKLY is
dated Saturday, June 27, 1857 and reports a visit to Dred Scott and his
wife and daughters at their home. I feel a stir while looking into the
Scott family’s faces though the story that accompanies the pictures is
demeaning and racist. They are human dignity personified and their
grace, their physical and intellectual stature are clear and
unmistakable. The portraits fly in the face of the pernicious decision
that is associated with Dred Scott’s name. On the cover of the December
28, 1861 issue of FRANK LESLIE'S, the trademark woodcut is of three
Black women imprisoned in the female department of the Washington jail.
The image is compelling and provocative of ideas."
"Those
who know me from past AROHO retreats know that I love inquiry into the
provenance of ordinary objects, work tools, photos and jewelry. I see
this method of observing and questioning as a valuable way of
understanding the lives of people who are left out of the literary
mainstream. After reading about a particular quilting method that
employs a simple, tacking system that nevertheless has roots in African
tradition, I saw a very mundane quilt in my favorite thrift store with
that same knotting pattern. My heart jumped up and I paid a couple of
dollars for it. I've got this quilt as an accent element in my home and
am reminded daily that an unknown woman made a very ordinary quilt that
continues in a long African and American textile tradition. "
Visit Breena's website to buy STAND THE STORM and her first book River, Cross My Heart.
Praise for Breena's first book, River, Cross My Heart:
“After her Oprah-pick debut (River, Cross My Heart,
1999), an African-American novelist delivers a compassionate portrait
of the terrors and hopes of slaves. With its slightly clipped period
language, coolly measured tone and rich supply of telling detail,
Breena Clarke’s second novel delves into a compelling social panorama
of black servitude in Washington, D.C., as the Civil War begins. The
story winds through the war (with Gabriel Coats fighting alongside the
colored troops) to reach a sober conclusion that nevertheless heralds
change. Clarke’s sensitivity and her lyrical, earthy narration bring a
freshness to the somber subject matter.” -Kirkus
“Breena
Clarke returns with a bittersweet slavery-era saga, partially set—like
her smash 1999 Oprah-pick, River, Cross My Heart—in Washington, D.C.'s
Georgetown. Clarke gets the details—emotional, political, domestic,
religious—right across the board and crafts complex and appealing
characters. Her knowledge of the period and the novel's dense,
deliberate narrative create a poignant story about the intricacies of
human bondage and its dissolution, built around a family's unshakable
faith in one another. -Publishers Weekly

July 18th, 2008 :: Guest Blogger
Guest Bloggers!
We would like to Welcome the AROHO community to a new series of guest bloggers on our website. We have asked women in the AROHO community to give insight into their lives as writers.
Please help us Welcome the guest bloggers by commenting! Our first guest blogger is Kate Gale. She is the Managing Editor of Red Hen Press, the Editor of the Los Angeles Review, and the President of the American Composers Forum Los Angeles. She served as the 2005-2006 President of PEN USA and serves on the Board of A Room of Her Own Foundation.
When I had children, I still found time to be a mother and to write. With struggle. With hard work. I even exercised then... Even dreamed.We started Red Hen Press in 1994. We publish twenty titles a year, run three reading series in Los Angeles, three in New York, publish a literary journal, give awards, build literary community. All this at the expense of our own family, lives, relationships. And of course at the expense of the writing. Is it worth it? Of course not. Writing is worth something. Children,love, being alive. Running a press? Building literary community? It's good... but it isn't everything. Because you have to go it alone or with one person helping. Because everyone wants something from you. Because creative work is like entering a river. And building a press is like entering a desert and trying to build a fountain there. It is a lonely business.So why did I do it? I am on the boards of writing organizations, the Managing Editor of Red Hen Press---instead of spending that time writing.I wish I could say that it is all good, that I am glad I do it. But that is not quite true. I wish I could just run the press and write. But as Dana Gioia loves to say, my family didn't give me the inheritance I so richly deserved. I have to teach and there isn't enough of me to live this many lives. So I haven't really answered your question. I wish I could write, run the press, teach and have a family life, a love life, but I haven't been able to figure how to do it all... I wish. When the press receives an endowment...Here's hoping.
-Kate Gale
July 11th, 2008 :: BOOKS!
Books You Love!
Let the AROHO community know about the books you love!
Don't be shy!
Let us know about the books you can't get enough of!
Regina's Closet: Finding My Grandmother's Secret Journal
by Diana Raab
My book, Regina's Closet: Finding My Grandmother's Secret Journal was nominated for the 2008 National Indie Excellence Award for memoir and was also a finalist in the ForeWord Magazine Book of the Year award.
For more information visit http://www.dianaraab.com
Diana
M. Raab, RN, MFA, is a memoirist and poet who teaches writing at the
UCLA Writers Program, and the Santa Barbara Writers Conference. Her
work has appeared in numerous publications including The Writer,
Rosebud, Palo Alto Review and Red River Review. She
has two poetry collections, her latest is Dear Anais: My Life in
Poems for You (Plain View Press, Sept 2008). Her memoir, Regina’s
Closet: Finding My Grandmother’s Secret Journal was the
recipient of the 2008 National Indie Award for Excellence in Memoir.
Her book, Writers and Their Notebooks is due out in Spring
2009.
MY
GRANDMOTHER’S JOURNAL
by Diana
M. Raab
At
the age of ten years I found my grandmother dead in her room next to
mine. On that sunny summer morning I knocked on her door to ask permission
to swim in a friend’s pool. I called her name, but she lay in her
bed beside the window, remaining perfectly still. On her stomach sat
an opened Graham Greene book and a pair of eyeglasses. I touched her
face and it was stone cold. With a child’s intuition, I sensed something
was seriously wrong. I ran out of the room to phone my mother at work.
Within
minutes, emergency vehicles lined our once quiet residential street.
All I remember is two uniformed men carrying my grandmother down the
creaky wooden stairs strapped to a stretcher. I prayed they wouldn’t
drop her.
There
wasn’t much talk about my grandmother until about twenty years later
when my parents were getting reading to move from that childhood house
in Queens, New York. While packing, they stumbled across her retrospective
journal which she’d written after emigrating from Vienna in the early
1930s. Only after reading that document did I really understand the
deep roots of her depression, which tormented her entire life, and eventually
led to her demise at the age of sixty-one.
I
tucked the journal away and pulled it out ten years later after being
diagnosed with breast cancer. I wondered if she’d committed suicide
because of a cancer diagnosis which she’d kept to herself. I hoped
her written words could provide an explanation for my own health problems,
but they didn’t. However, the details of her tragic life once again
drew me close to her. Her powerful words sharing her being orphaned
during World War I, just pulled me in. She witnessed the Russians hack
up little boys in the street and soldiers march through her town.
I
realized how I’d never connected with another woman in the same way.
She was an extension of me. Those ten years she’d care for me, planted
the seed for my writing, because not only was she devoted to the written
word by daily journaling and propensity for leaving notes on the kitchen
table, but she had also taught me how to type. I remember the day as
if it were yesterday.
Her
black Remington typewriter was perched on the vanity in her room. Each
morning, I knocked on her door for a morning kiss. She then took my
hand and we’d walk down to the kitchen for breakfast. One morning
when I was about six years old, instead of immediately heading downstairs,
she invited me into her room.
“Have
a seat,” she said,” pointing me to her vanity chair.
“I’m
going to teach you how to type. This is a handy skill for a girl to
have, plus you never know what kind of stories you’ll have to tell
one day.”
She
stood behind me with her image glowing in the mirror. She took my right
hand and positioned it on the second row of keys from the bottom, carefully
placing one finger on each letter, repeating the same gesture with my
left hand.
“This
is the position your fingers should be in. When you become a good typist,
you won’t have to even look at the letters while you’re typing.
Okay, dear, let’s see if we can type your name.”
With
my left middle finger she had me press on the “D.” Then we moved
to the right middle finger and moved up a row to type an “I.” Then
my pinky pressed the “A” and then something really tricky had to
happen, I had to move my right thumb down to the bottom row to type
an “N.” Then my left pinky typed an “A.” After each letter I
glanced up at the paper to see the impression of my efforts. After reaching
the last “A” in my name, I proudly looked up at my grandmother’s
face in the mirror.
“You
see, you did it!” she said, squeezing my shoulders.
“Like
anything in life, the more you practice, the better you’ll become.
You must work hard to get results; you’ll learn that soon enough,
my love.”
This
seemingly innocent gesture on her part instilled my own lifelong commitment
to the written word. As a young girl, I wrote stories, but as a young
adult, I worked my way through college typing term papers for students.
Finding
the journal was my impetus in writing write my recent memoir Regina’s Closet: Finding My
Grandmother’s Secret Journal.
The project which began as my graduate thesis made me me realize the
strong connection I had with my grandmother. It also made me realize
how depression is a precurrsor to suicide and the intrinsic value of
writing and how important it is for one generation to pass on their
stories to the next generation. As a result, I have become a journaling
advocate to those in my community and beyond.

Diana Raab's New Poetry Book
Dear Anais: My Life In Poems For You
with a preface by Tristine Rainer.
“Diana M. Raab’s Dear Anaïs: My Life in Poems for You is not only
a tribute to the late diarist, but also a tribute to diaries themselves.
Each of the book’s poems, culled from Raab’s own journal, offers
intimate portraitures, tiny memoirs in verse. Raab’s poetry is seductive
in its earnestness, appealing in its vulnerability, mystery, and
enchantment.” Denise Duhamel, poet, author of Two and Two and
Queen for a Day: Selected and New Poems
“Raab’s skill is as a poet, but her passages are as intimate as a diary.
She reconstructs her past mirroring Nin’s emotional honesty. The
reader never feels voyeuristic reading the intimate passages, but feels
like a confidant, friend and maybe even a lover.”
Steve Reigns, Nin scholar, poet, and editor of
My Life is Poetry
“In Diana Raab’s imaginary world…people drip with stories / and linger in bookstores and cafés / slurping
foamy cappuccinos / and nibbling chocolate cake.” And the poems in Dear Anaïs are, indeed, rife with both
stories and the extravagantly various things of this world: Laundromats and writers’ conferences, steel-tipped
boots and champagne, patched jeans and paramedics, blueberries and autographed photos of Paul Newman.
While the book does pay homage to Anaïs Nin—to her eroticism and wry humor and exquisite journals—it
also vividly evoke’s Raab’s own life, particularly her family memories. Like Nin, Raab is indefatigable in her
desire to commit one woman’s life to paper.” David Starkey, author of Ways of Being Dead

July 2nd, 2008 :: Pull the Lever
WE Want YOU for the AROHO Website!!
We are excited to see photos of YOU PULLING THE LEVER!
Be Creative!* Be Funny!*Have Fun!*Don't forget the camera!
Download the Pull the Lever logo and go crazy!
The best photos will be showcased on the AROHO website!
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